CHRISTOS KALLI

FAULTLINE JOURNAL OF ARTS AND LETTERS​

forthcoming

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'Pimple'

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RADAR

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'Night-Prayer'

THE AMERICAN JOURNAL OF POETRY

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'Dry Humming'

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'Mist Behave'

THE MINNESOTA REVIEW

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'Elegy for My Grandmother's Hip'

HOBART

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'Place Time'

POETRY CITY, USA

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'Fleshing'

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'Insert Title Here'

NINTH LETTER

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'Directions to the Night'

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THE HOLLINS CRITIC

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'Safeword'

[PANK]

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'Ouzo'​

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'Scene confused'

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'Suits'

THE CAPE ROCK

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'Epilogue'

MAUDLIN HOUSE

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'Instantaneous Self-Portrait' 

NATIONAL POETRY

REVIEW 

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'Ode to My Unibrow'

THE ADROIT JOURNAL

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'Body Brimming with Achilles' Heels'

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THE PENN REVIEW

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'Zivania'

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THE COLLAPSAR

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'Broken Thought-Machine'

THE MAINE REVIEW

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'Ouzo'

HARPUR PALATE

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'silence, i've heard you'

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'After Ashbery'

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'Each of My Hands is God'

DUNES REVIEW

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'Matriphagy'

BARELY SOUTH REVIEW

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'Aubade with Cannibal Dawn'

CONNOTATION PRESS

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'Sweet-ish'

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'Prometheus'

OXFORD MAGAZINE

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'Palm trees holding hands'

WORLD LITERATURE TODAY​

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Review of Hai-Dang Phan's Reenactments (Sarabande Books, 2019)​

CARILLON MAGAZINE​

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'Review of Jules A Riley's The Man in the Sepia Photographs (2015)

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THE ADROIT JOURNAL

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'Editor's Note'​

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THE LOS ANGELES REVIEW

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'Review of Peter LaBerge's Makeshift Cathedral (YesYes Books, 2017)

LITBREAK​

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'Essay on the Ideal (Poetry) Reader'

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